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The King (1995): Thevalliparambil Joseph Alex saunters towards Commissioner Shankar after the fiasco surrounding a paparazzi’s arrest, he begins a fierce monologue finishing it up by knotting his mundu and delivering a scintillating punchline.
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The body language, the fisherman slang that doesn’t slip even during the emotionally-charged moments –acing it all.ġ3. After blessing her, he walks away, head held high, without a backward glance at the daughter he loved the most in the world. When his daughter falls at his feet, Achutti is poised, a strange calmness has descended on his face. Achutti’s eyes well up as he fights for composure, gives a reply and a warm hug. Amaram (1991): After rescuing Kunjiraman from the ocean, Achutti hands him over to the family and begins his walk back home only to be stopped by his buddy, Kunjiraman who begs for forgiveness. Mathilukal (1990): The first time Basheer hears Narayani’s voice in that desolate jail-wonder, unfeigned joy, and a touching naiveté flaps across his face.ġ2. Kauravar (1991): Vengeance is his only thought when he gets his hands on the cop who had put him in jail but that emotion instantly vanishes into desperate pleading when he is told that his daughter is alive.ġ1. A delighted Balan awaits to be introduced only to be told by his uncle and younger brother that he is a “distant relative.” If you want to see how someone struggles to hold a smile even though their heart is badly bruised, here it is.ġ0.
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Thaniyavarthanam (1987): Balan comes home to find that his sister’s would-be groom and family have come for a visit. Ravi is unprepared for this encounter and he is filled with remorse and guilt when he realises that she had been waiting for him all these years. Arayannangalude Veedu (2000): When Ravi searches for his daughter Chinnu, his childhood lover comes in front of him, elated that he hadn't forgotten her. The voice modulation here is a textbook study for students of acting.Ĩ. Vidheyan (1994): Regret, relief, fear, and an odd sadness darts across Patelar’s ashen face when he tells Thommi how he killed Saroja. And then he leans forward and asks the collector, very coolly- “What do you want?” The collector tells him to stop everything to which Deva replies- “Mudiyathu” and walks away with that scene tailormade to glorify Rajnikanth.ħ. Deva instantly gets up, places a hand over his friend, signals him to stop. The camera orbits around Surya and Collector and then suddenly Surya jumps from his chair shoving angry words at the cop. Thalapathy (1991): Deva leans back on a chair watching the feisty exchange of words between Surya (Rajnikanth), Collector (Arvind Swami), and the cops.
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Rajamanikyam (2005): When the cop blocks his car and snarls at him, Manikyam initially plays it down and quips- “Saru puliyayurunnalley?” But then when he gets roughed up, Manikyam swiftly shifts from comic to assertive anger- “Valathottu nikkada.”Ħ. Pranchiyettan and the Saint (2010): When Pranchiyettan fumbles with the speech- “Poorangalude,” much to the amusement of the audience, he displays a helplessness, a sense of defeat that’s beautiful to watch.ĥ.